A 24-70mm f/2.8 is a staple lens in practically any photographer's camera bag -- it covers a wide range of focal lengths for a multitude of subject matter. Nikon 24-70mm f/2.8 VR Lens Review

The 24-70mm f/2.8 VR is a great lens! When I had a D750, my 24-70mm remained fixed on it 95% of the time. 24-70mm is a excellent focal length for many functions. Nikon33's gear list: Nikon33's gear list See my Nikon 24-70mm f2.8E VR review. Sony offers different versions of a 24-70mm f2.8 zoom but their latest is the FE 24-70mm f2.8 GM. The lens does not offers its own image stabilization so you need to rely on the built-in stabilization featured in recent Sony bodies. It is sold for around 2060 EUR. See our Sony FE 24-70mm f2.8 GM review-in
The Nikon Z 24-200mm f/4-6.3 VR is surprisingly solid in terms of flare performance, especially considering how many lens elements it has. It retains a lot of contrast even in backlit situations, with minimal veiling flare (though increasing as you zoom in). However, it still lags behind lenses like the Nikon Z 24-70mm f/4 and especially Nikon

In this comparison we’ve tested the Sony against the equivalent Canon and Nikon rival models. We’ve chosen the higher resolution 50-Mpix Canon EOS 5DS R to highlight the potential of the Canon combination, but even when tested on the lower 22-Mpix resolution Canon EOS 5D Mark III, the EF 24-70mm F2.8L II still achieves peak sharpness levels similar to the Sony.

Above: Nikon 24-70/2.8E ED VR on a D810 at 70mm, f2.8, 64 ISO. Above: Nikon 24-70/2.8G ED on a D800 at 70mm, f2.8, 100 ISO. Above: Tamron SP 24-70/2.8 VC on a D800 at 70mm, f2.8, 100 ISO. When compared to its predecessor and its main competitor the new lens shows the best FX-corner of the bunch. And at the shorter focal lengths by a large margin!
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    • nikon 24 70mm f2 8 vr review